Citations

CITATIONS AS ARTIST

2017

Obrist, Hans Ulrich. “Conversations in Colombia, interviews Miguel Ángel Rojas and María Fernanda Cardoso”, Americas Society, Council of the Americas, May 5, 2017.

Cardoso, Maria Fernanda. “Making sense of artful science: The art of model making in the natural sciences”, A Working Model of the World, (DATE),  2017

2016

Benoit, Florette; Degrette, Marilyn. L’ABC…Z des Heroines. Rennes: La balade des livres, 2016.

2015

Colin, Jonathan; Arias, Fernando (ed.). Better than. Second part of Nuevautopias 2012-2016: Mejor que 2. Parte II de Nuevautopias. Fundación Más Arte más Acción.

Escallón, Ana María. “La geometría en el universo de María Fernanda Cardoso” Las 2 Orillas, May 23, 2015

Contingent beauty. Contemporary art from Latin America. Exhibition catalogue, Museum of Fine Arts,

Houston, USA, November 22, 2015 – February 28, 2016. With texts by Mari Carmen Ramírez, Tahía

Rivero, Gabriela Rangel, María C. Gaztambide, Osvaldo Sánchez (et al.). Houston, The Museum of Fine Arts, 2015

Obrist, Hans Ulrich. Conversations in Colombia. Anañamyoh-Reya. Edited by Karen Marta. Bogotá, La Oficina del Doctor, Casas Riegner, 2015

Dark Mirror. Art from Latinamerica since 1968. Works from the Daros Latinamerica Collection. Exhibition catalogue Kunstmuseum Wolfsburg, Wolfsburg, Germany, September 26, 2015 – January 31, 2016. Edited by Ralf Beil and Holger Broeker. Wolfsburg, Kunstmuseum Wolfsburg, 2015

2014

Escobar, Melba. “María Fernanda Cardoso: la vida como obra de arte.” Arcadia, January 2, 2014.

Bolt, Andrew. “Bad Abbot: hands off arts grants for spider sex!”. The Daily Telegraph, May 24, 2014.

Puvanenthiran, Bhakthi. “Maria Fernanda Cardoso wins Australia Council grant to video insect sex”. The Sydney Morning Herald, May 21, 2014. The Age, May 21, 2014.

2013

Colección de Arte Contemporáneo: Maria Fernanda Cardoso, Oscar Muñoz, Luis Roldán. Bogotá: Seguros Bolivar, 2013.

Aliento. Arte de Colombia. Zeitgenössische Kunst aus Kolumbien. Exhibition catalogue, Kunstmuseum Bochum, Germany, November 23, 2013 – February 2, 2014. With texts by Hans Günter Golinski, Doppel, Sarah (et al.). Bochum, Kunstmuseum, 2013.

Iria, Candela. Art in Latin America 1990-2010. London, Tate, 2013.

Cantos Cuentos Colombianos. Arte Contemporânea colombiana. Exhibition catalogue, Casa Daros, Rio de Janeiro, Brazil, March 23 – September 8, 2013. With interviews with the artists by Hans-Michael Herzog. Rio de Janeiro, Cobogó, 2013

2012

Macgreggor, Elizabeth Anne. Volume One: MCA Collection. Sydney: Museum of Contemporary Art, Sydney, NSW, Australia

Iria, Candela. Contraposiciones. Arte contemporáneo en Latinoamérica 1990-2010. Madrid, Alianza, 2012

Morgan, Joyce. “In praise of beauty that lurks out of sight.” Sydney Morning Herald, April 2, 2012

McColl, Gina. “Insect Porn.” Sydney Morning Herald, April 18, 2012

Fortescue, Elizabeth. “Artist Maria Fernanda Cardoso tackles the taboo at Biennale of Sydney.” The Daily Telegraph , February 29, 2012.

Roca, José; Suárez, Sylvia. Transpolítico. Arte en Colombia 1992-201: Transpolitical art in Colombia 1992 – 2012. Barcelona and Madrid, Lunwerg, 2012.

2011

Elias, Ann. Camouflage Australia: Art, Nature, Science and War. Sydney: Sydney University Press, Sydney, 2011

Art Nexus Brasil en Colombia. Artnexus, Arte en Colombia. Antología de textos. Edited by Adriano Pedrosa. Bogotá, ArtNexus / Arte en Colombia, 2011.

Garzón, Diego. De lo que somos. 110 obras para acercarse al arte contemporáneo colombiano. Barcelona, Lunwerg, 2011

Tate Latin American Acquisitions Committee. Celebrating 10 years. With texts by Nicolas Serota and Dawn Ades. London, Tate, 2011

Crawford, Ashley. “Maria Fernanda Cardoso.” Australian Art Collector 56, April-June, 2011, http://www.artcollector.net.au/MariaFernandaCardosoSmallwonders

La Experiencia Intelectual de las Mujeres en el Siglo XXI. Mexico: Líderes Mexicanos, Tomo CLXXXIX, 2011.

Zimmer, Lori. “Maria Fernanda Cardoso’s Gorgeous Jewel-Toned Artworks Are Made From Butterfly Wings” Inhabitat, October 24, 2011. http://inhabitat.com/maria-fernanda-cardosos-gorgeous-jewel-toned-artworks-are-made-from-butterfly-wings

2010

Arte + Medio Ambiente. Primera Trienal Internacional del Caribe. Published in conjunction with the exhibition of the same name in Santo Domingo, Dominican Republic.

Slade, Lisa. Curious Colony: a twenty first century Wunderkammer. Newcastle: N. S. W, Newcastle Regional Art Gallery, 2010.

Contemporary Art in Latin America. With texts by Gerardo Mosquera, Luis Camnitzer, Guy Brett (et al.) and a conversation between Gabriela Salgado and Guillermo Gómez-Peña. London, black Dog, 2010

MacFadden, David. Dead or Alive: Nature becomes Art. New York: Museum of Art and Design, 2010. Published in conjunction with the exhibition of the same name, at the Museum of Art and Design, in New York, USA.

Moran, Macu. Indomitable Women. Barcelona: Centre Cultura de Dones Francesca Bonnemaison, 2010.

MacDonnald, John. “Treasures from a Curious Chest.” Sydney Morning Herald, August 7, 2010.

“María Fernanda Cardoso al Natural.” Cromos Magazine, June, 2010.

2009

Britz, Sonja. “In conversation with Maria Fernanda Cardoso.” Antennae, Autum, 2009.

Genosko, Gary. “Our Lady of Mimicry.” Antennae, Autum, 2009.

Best, Susan. Emu Wear. Sydney: Grantpirrie Gallery, 2009. Published in conjunction with and exhibition of the same name at Grantpirrie Gallery, in Sydney, NSW, Australia.

Rigney, Virginia. Kuru alala. Eyes open. Artworks made in responde to a series of bush trips and artists’ camps held in the Ngaanyatjarra and Pitjantjatjara Lands of Central Australia 2008-2009. Exhibition catalogue, Gold Coast City Art Gallery, October 17 – December 6, 2009. With texts by Josephine

Mick, Ian Mc Lean (et al.). Gold Coast City, Gold Coast City Art Gallery, 2009   Don’t stare at the sun. Works from the Daros Latinamerica Collection. Exhibition catalogue, Centre of Contemporary Art

Czasu, Znaki. Torun, Poland, June 6 – September 13, 2009. With texts by Agnieszka Pindera and Zielinska, Johanna. Torun, Centre of Contemporary Art Znaki Czasu, 2009.

Márceles Daconte, Eduardo. los recursos de la imaginación. Artes visuales de la región andina de Colombia. Barranquilla, Fundación Amigos del Arte del Caribe, 2009.

2008

Geczy. Adam Art: Histories, Theories and Exceptions. Oxford: Berg Publishers, 2008.

Smith, Roberta. “When the conceptual was political.” The New York Times, February 1st, 2008. http://www.nytimes.com/2008/02/01/arts/design/01vida.html?_r=0

Baigorri, Laura (ed.). Vídeo en Latinamerica. Brumaria 10. Madrid, brumaria, 2008.

Cullen, Deborah. Arte no es vida: Actions by Artists of the Americas, 1960-2000. New York: El Museo del Barrio, 2008. Published in conjunction with the exhibition of the same name, at El Museo del Barrio, in New York, USA

Connoly,  Georgia. Australian:Emu Wear, Maria Fernanda Cardoso with Ross Rudesch Harley. Sydney: Casula Powerhouse Museum, 2008. Published in conjunction with the exhibition if the same name, at the Casula Powerhouse Museum, in Sydney, Australia.

Genosko, Gary. Maria Fernanda Cardoso: Fashion and Mimesis. Ontario: Brock University, 2008.

Aranda-Alvarado, Rocío. “El Arte No es Vida.” ArtNexus 70, September – October 2008.

Nieto, Mauricio; Roca, José; Rodríguez, Carlos. Historia natural y política. Conocimientos y representaciones de la naturaleza americana. Exhibition catalogue, Biblioteca Luis Ángel Arango, Casa Republicana, Bogotá, Colombia September 9, 2008 – January, 2009. Bogotá, Biblioteca Luis Ángel Arango, 2008

Quiles, Daniel.”Bearing Witness: A recent show at El Museo del Barrio explored four decades of performance art in the Americas.” Art in America, June-July, 2008.

2007      

Adlington, Brett “Glimpse: Inside Gold Coast City Art Gallery’s collection.” Gold Coast Gallery: Gold Coast City Art Gallery, 2007.

Beverly Adams. Constructing a Poetic Universe: The Diane and Bruce Halle Collection of Latin American Art. Houston: the Museum of Fine Arts, 2007. Published in conjunction with the exhibition of the same name, at the Museum of Fine Arts, in Houston, USA.

Billick, T. “Maria Fernanda Cardoso.” The Lammasu: a critical Art Blog USF, December 1st, 2007, http://usfcritique.wordpress.com/2007/12/01/maria-fernanda-cardoso.

“Maria Fernanda Cardoso: Y los ‘machos’ de Australia.” Caras Magazine, June 8, 2007. Constructing a poetic universe: The Diane and Bruce Halle collection of Latin American Art. Exhibition catalogue, The Museum of Fine Arts, Houston, Texas, USA, March 11 – June 10, 2007. With  texts by Beverly Adams (et al.). London/New York, Merrell Publishers, 2007.

Latin American art. Una mirada a nuestro continente. Exhibition brochure, Odalys Galería de Arte, Caracas, June 24 – July 8, 2007. Caracas, Odalys, 2007.

Golinski, Hans Gunter.  Puntos de Vista, Zeitgenossische Kunst aus der Daros-Latinamerica. Zurich: Daros Latinamerica, 2007. Published in conjunction with the exposition of the same name, at the Bochum Museum, in Bochum, Germany.

Hanor, Stephanie. TRANSactions: Contemporary Latin American and Latino Art. California: Museum of Contemporary Art San Diego, 2007. Published in conjunction with the exhibition of the same name at the Museum of Contemporary Art, in San Diego, California. Kartofel, Graciela. “Maria Fernanda Cardoso-Chelsea Art Museum.” Artnexus 64, June – August, 2007.

Fernández Uribe, Carlos Arturo. Arte en Colombia 1981-2006.Universidad de Antioquia, 2007. Medellín, Antioquia.

Fuenmayor, Jesús. Arte Da America do Sul, Sao Paulo: Fundaçao de Serralves, 2007.

2006  

Conolly, Georgia. María Fernanda Cardoso: Death Becomes Her. New York: Chelsea Art Museum, 2006. Published in conjunction with the exhibition of the same name, at the Chelsea Art Museum, in New York, USA.

Earthcry, Meryl Ryan. Sydney: Lake Macquarie City Art Gallery, 2006. Published in conjunction with the exhibition of the same at Lake Macquarie City Art Gallery, in Sydney, Australia.

Tracey, Clement. “Maria Fernanda Cardoso: the Art of Camoflage.” Melbourne: Art Gallery Guide Australia, 2006.

Jaspers, Anneke. Emu. Next 5km. Sydney: GRANTPIRRIE, 2006. Published in conjunction with the exhibition of the same name, at the GRANTPIRRIE Gallery, in Sydney, NSW, Australia.

Klaasmeyer, Kelly. “Art Remains: Maria Fernanda Cardoso moves beyond fleas.” Houston Press, May 18, 2006, http://www.houstonpress.com/2006-05-18/culture/art-remains

Olivares, Rosa (ed.). 100 Latin American Artists. Madrid: Exit Publishing, 2006.

Ortiz Serrano, Gustavo. La Contemporaneidad en Colombia: 1966-2006. Bogotá: Museo de Arte Contemporáneo, 2006.

Storer, Russell. MCA Collection: New Acquisitions 2006.Sydney: Museum of Contemporary Art, 2006.

Tracey, Clement. “Maria Fernanda Cardoso: the Art of Camoflage.” Melbourne: Art Gallery Guide, Australia, 2006.

Vickery, Colin.“Emu’s feather in cap.” Herald Sun, June 27th , 2006.

2005

Bernal. María Clara. “Maria Fernanda Cardoso.” Art Nexus 101, January – March 2005, http:// www.artnexus.com/Notice_View.aspx?DocumentID=14469

Ecos y contrastes. Arte contemporáneo en la Colección Cisneros. Exhibition catalogue, Museo de Arte y Diseño Contemporáneo, San José, Costa Rica, December 7, 2005 – February 25, 2006, Museo de Arte de El Salvador, San Salvador, April 4 – June 24 2006, TEOR/éTica, San José, Costa Rica, December 7, 2005 – February 19, 2006. With texts by Ariel Jiménez and Virginia Pérez-Ratton. Caracas, Fundación Cisneros, 2005

Figuración y representación en Colombia 1960 – 2003. Obras de la colección del Museo de Arte Contemporáneo de Bogotá. Exhibition catalogue, Museo de Arte Contemporáneo de Bogotá MAC, Bogotá, March – April 2005. With text by Gustavo A. Ortíz. Bogotá, Colombia

Las Horas. Artes Visuales de América Latina contemporáneo = The Hours. Visual Arts of Contemporary Latin America. Exhibition catalogue, Irish Museum of Modern Art, Dublin, October 5, 2005 – January 15, 2006. With rears by Sebastián lipez, Eugenio Valdés Figueroa and Hans-Michael

Herzog. Zürich, Daros Latinamerica / Ostfildern, Hatje Cantz, 2005.

Garzón, Diego. Otras voces otro arte: Diez conversaciones con artistas colombianos. Bogotá: Planeta, 2005

Otras miradas = Other glances. Catalogue published in conjunction with the exhibition, Maison del’Amérique Latine, Paris, March 8 – May 22, 2006. With texts by Carmen María Jaramillo (et al.). Bogotá, Ministerio de Relaciones Exteriores, 2005.

Quinta Bienal do Mercosul. Uma história concisa da Bienal do Mercosul. Exhibition catalogue, Bienal de Artes Visuais do Mercosul, Porto Alegre, Brazil, September 30 – December 4, 2005. With text by Gaudencio Fidelis. Porto Alegre, Fundaçao Bienal de Artes Visuais do Mercosul, 2005.

2004  

Ponce de León, Carolina. María Fernanda Cardoso: 20 años. Bogotá: Biblioteca Luis Ángel Arango, 2004.  Published in conjunction with the exhibition of the same name, at the Museo del Banco de la República, in Bogotá, Colombia.

Jaramillo, Carmen María. Otras Miradas. Bogotá: Ministerio de Relaciones Exteriores, 2004. Published in conjunction with the exhibition of the same name, shown at Museo de Arte Contemporáneo de Caracas Sofía Imber, Caracas, Venezuela; Galería Gabriela Mistral, Galería Metropolitana, Galería Bech, Galería Balmaceda, Galería Posada del Corregidor, Santiago, Chile; Museo de Bellas Artes de Buenos Aires, Buenos Aires, Argentina; Casa de América Latina de París, Paris, France. 2004

Crutchfield, Margo. Material Witness: Layla Ali, Maria Fernanda Cardoso, Johnny Coleman,

Gordon, Douglas. Nun Gguynen-Hatsushiba, Santiago Sierra. Ohio: Museum of Contemporary Art, 2004. Published in conjunction with the exhibition of the same name, at the Museum of Contemporary Art, in Ohio, U.S.A.

Malin, Regula. Cantos Cuentos Colombianos; Contemporary Colombian Art. Zurich: Daros Latinamerica, 2004. Published in conjunction with the exhibition of the same name at Casa Daros, in Rio de Janeiro, Brazil.

Clare Lewis. Maria Fernanda Cardoso. Sydney: GRANTPIRRIE Gallery, 2004. Published in conjunction with the exhibition of the same name at GRANTPIRRIE Gallery, in Sydney, Australia.

2003

Carolina Ponce de León and Elizabeth Ann Macgregor. Zoomorphia: Maria Fernanda Cardoso. Sydney: Museum of Contemporary Art, 2003. Published in conjunction with the exhibition of the same name, at the Museum of Contemporary Art, in Sydney, Australia.

Arestizábal, Irma. Archipiélago de imágenes. Roma: Instituto Italo Latino–Americano IILA, 2003. Published in conjunction with the exhibition Dreams and Conflicts – The Viewer’s Dictatorship, presented at the  50th International Art Exhibition: Biennale di Venezia, in Vennice, Italy.

Ardila, María Elvira. Desplazamientos: Arte colombiano en los 90. Bogotá: Museo de Arte Moderno de Bogotá, 2003. Published in conjunction with the exhibition of the same name, at the Museo de Arte Moderno de Bogotá, in Bogotá, Colombia.

Nelson Aguilar and Alfons Hug. 4 Bienal do Mercosul: Genetic Archaeology. Porto Alegre: Fundação Bienal de Artes Visuais do Mercosul, 2003. Published in conjunction with the exhibition of the same name, in Porto Alegre, Brazil.

Roca, José. “María Fernanda Cardoso: Biogeometrías.” Columna de Arena 56, November 5, 2005, http://www.universes-in-universe.de/columna/col56/index.htm 

Roca, José. “Necrological Flora: Images for a Political Geography of Plants.” ReVista: Harvard Review of Latin America (2003): 31–34, http://revista.drclas.harvard.edu/files/revista/filescolombia.pdf?m=1436817428

Gall, Naomi. “Maria Fernanda Cardoso.” Artwrite (online publication). The University of New South Wales, 2003.

Goodall, Jane.“Zoomorphia: Deadly Clamour.” RealTime 55, June-July, 2003, http:// www.realtimearts.net/article.php?id=7087

Hill, Peter. “It it’s not baroque.” Sydney Morning Herald, May 3, 2003, http://www.smh.com.au/articles/2003/05/02/1051382088166.html

Museo de Arte Moderno La Tertulia. Collection catalogue. With a text by Miguel González. Cali, Colombia, Museo de Arte Moderno La Tertulia, 2003.

2002    

Cooper, Amy. ” Animals Talk Turkey.” Sunday Life, June 2, 2002

Gennochio, Benjamin.”To dream, ah there’s the rug.” The Weekend Australian, March, 2002.

Rodríguez, Marta. “Maria Fernanda Cardoso. Galería Diners.” ArtNexus 44, April – June, 2002.

Sullivan, Edward. “The Borderless Baroque.” Art in America, July, 2002.

Animalandia (exh. cat.). Museo de Arte Universidad Nacional de Colombia, Bogotá, June 4 – July 27, 2002. With a text by Jaime Cerón. Bogotá, instituto Distrital de Cultura y Turismo, Gerencia de Artes Plásticas, 2002

New Material as New Media: The Fabric Workshop and Museum (exh. cat.). Ed. 2002.

Mitchell, Kelly. Texts by Mark Rosenthal et al., Interview with Marion Boulton Stroud, Cambridge, Mass, and London: First MIT Press, p. 66–71.

Cardoso, María Fernanda. Interview with Adrianna Herrera. María Fernanda Cardoso. La    transgresión del hábito. Latin Art (June 1) http://www.latinart.com/spanish/transcript.cfm?id=4001.06.2002 (spanish) <http://www.latinart.com/transcript.cfm?id=40> 01.06.2002 (english)

Gómez, Fernando. “La domadora.” Revista Gatopardo (March), p. 102–111.

Rodríguez, Marta. “Maria Fernanda Cardoso. Galería Diners.” Art Nexus 44, p. 100–101. Art Nexus #41 [Perverting Minimalism: It’s Not Just What You See] August-October Sullivan, Edward. The Bordeless Baroque. Art in America, July 2002, p.40

Turner, Elisa. ‘Mad Scientist’ sees artistic side of nature. The Miami Herald p. 1,8M

Ruán, Patricia. Maria Fernanda Cardoso: Nada es lo que parece. Revista AXXIS No. 110, Bogotá. p. 60,61

El Regreso de Maria Fernanda Cardoso, Revista Diners, Enero 2002 Bogotá p. 45-47

Cooper, Amy. “Animals Talk Turkey.” Sunday Life (June 2, 2002), p.12.

Espacio C. Arte Contemporáneo Camargo 2001. Espacio Interdisciplinar de Arte Contemporáneo =

Interdisciplinary International Contemporary Art Space. Exhibition catalogue, Espacio C, Arte Contemporáneo Camargo, Santander 2001. With texts by Orlando Britto Jinorio, Carolina Ponce de León (et al.). Santander, Espacio C, 2002.

International Center for the Arts of the Americas. Collecting Latin American Art for the 21st century. Edited by Mari Carmen Ramírez and Theresa Papanikolas, with contributions by Tomás Ybarra-Frausto (et al.). Houston, International Center for the Arts of the Americas, 2002.

Lateral Thinking. Art of the 1990s. Exhibition catalogue, Museum of Contemporary Art San Diego, La Jolla, September 16, 2001 – January 13, 2002, Colorado Springs Fine Arts Center, September 27, 2002 – January 4, 2003, Hood Museum, Dartmouth University, Hanover, New Hampshire, January 3 -March 14, 2004, Dayton Art Institute, Dayhon, Ohio, July 17 – October 17, 2004. With texts by Toby Kamps (ET AL.). San Diego, California, Museum of Contemporary Art

2001

Arte Colombiano. 3500 años de historia. Edited by Benjamín Villegas, with a text by Santiago London Vélez. Bogotá, Villegas Editores, 2001.

Benitez Dueñas, Issa María. “Pervirtiendo el minimalismo: No es sólo lo que ves.” ArtNexus 41, August-October, 2001, http://www.artnexus.com/Notice_View.aspx?DocumentID=7407

Jiménez, José. El final del eclipse: El arte de América Latina en la transición al siglo XXI. Madrid: Fundación Telefónica, 2001.

Mosquera, Gerardo and Zelevansky, Lynn. Versiones del Sur: No es sólo lo que ves: pervirtiendo el minimalismo. Madrid: Museo Nacional Centro de Arte Reina Sofía, 2001. Published in conjunction with the exhibition of the same name, at the Museo Reina Sofía, in Madrid, Spain. 2001

Lelong, Lea Rosson. Retorno al país de les meravelles: L’art contemporani i la infancia. Barcelona: Fundación la Caixa, 2001. Published in conjunction with the exhibition of the same name, at the Centre Cultural de la Fundació “La Caxia.” in Barcelona, Spain, 2001.

Villamarin, Paola. “Por quién dan más?” El Tiempo, July 8, 2001.

Políticas de la diferencia: Arte iberoamericano fin de siglo. Buenos Aires: Generalitat Valenciana, 2001. Published in conjunction with the exhibition of the same name, at the MALBA, in Buenos Aires, Argentina

Espelho Cego. Seleções de uma Coleção Contemporânea. (Exh. Cat.). Paço Imperial, Rio do Janeiro, My 3 – June 10, 2001, Museu de Arte Moderna, São Paulo, August 24 – October 14, 2001, Espaço

Cultural Contemporâneo Venâncio, Brasilia, November 20, 2001 – February 23, 2002, Museu de Arte Moderna Aloísio Magalhães, Recife May 9 – June 30, 2002. With texts by Márcia Fortes and Dan Cameron. São Paulo, Museu de Arte Moderna, 2001

2000

Armstrong, Elizabeth. Ultra Baroque: Aspects of Post Latin American Art . San Diego: Museum of Contemporary Art, 2000. Published in conjunction with the exhibition of the same name at the Museum of Contemporary Art, in San Diego, California, 2000.

Roca, José. “Cardoso en el MoMA.” Columna de Arena, January 18, 2000, http://universes-in-universe.de/columna/col19/col19.ht

Rubiano Caballero, Germán. Art of Latin America 1981 – 2000. New York, Inter-American Development Bank, 2000.

Herbert, Lynn. The smallest show on earth: Cardoso Flea Circus. Houston: Contemporary Arts Museum, 2000.

Rojas Sotelo, Miguel. Proyecto Pentágono, Investigaciones sobre arte contemporáneo en Colombia. Catalogue, published in conjunction with 5 exhibitions in Colombia. Bogotá, Ministerio de Cultura, 2000.

Cardoso Flea Circus. Catalogue published in conjunction with the exhibition at Contemporary Arts Museum, Houston, November 10, 2000 – January 7, 2001. Houston, Contemporary Arts Museum, 2000, Fresh Cream. Contemporary art in culture. 10 curators, 10 writers, 100 artist. New York, Phaidon, Press, 2000.

Harnoncourt, Ann; Boulton Stroud Marion; Rosenthal, Mark. New Material as New Media: The Fabric Workshop and Museum. Edited by Kelly Mitchell, Cambridge: MIT Press, 2000.

Humphrey., Sonia.“Fleas walk the reality tightrope.” The Australian, January 17, 2000.

Cavendish, Dominic. “Man-handlers.” The Daily Telegraph, August 16, 2000.

Gibbons, Flachra. “Customs forces flea show back to scratch.” The Guardian, August 8, 2000.

Gotting, Peter. “Over a fleapit, the littlest Big Top Ever.” Sydney Morning Herald, November 1st, 2000.

Versiones del sur. No es sólo lo que ves: pervirtiendo el minimalismo. Exhibition Catalogue, Museo Nacional Centro de Arte Reina Sofía, Madrid, December 12, 2000 – February 19, 2001. With texts by Gerardo Mosquera and Lynn Zelevansky. Madrid, Museo Nacional Centro de Arte Reina Sofia, 2000

Harison, Eddie. “Theatre Review, Cardoso Flea Circus.” Metro, August 16, 2000.

Klaasmeyer, Kelly. “Flea Smithen.” Houston Press, December 21, 2000, http:/www.houstonpress.com/2000-12-21/culture/flea-smitten.  2000.

Walsh, John. ”Itching for the great Edinburgh flea extravaganza.” Independent, August 9, 2000, http://www.independent.co.uk/opinion/columnists/john-walsh/itching-for-the-great-edinburgh-flea-extravaganza-697081.html. 2000.

Weintraub, David. “Natural Selections,” ArtNews, May, 2000.

Zambrano, Andrés. “Cardoso: Bogota-Sydney-New York,” El Tiempo, February 8, 2000.

1999       

Medina, Álvaro; Zea, Gloria. Arte y violencia en Colombia desde 1948.Bogotá: Museo de Arte Moderno de Bogotá, 1999. Published in conjunction with the exhibition of the same name, at the Museo de Arte Moderno de Bogotá, in Bogotá, Colombia.

Reed, Peter; Chan, Mary; González, Maria del Carmen. Modern Starts: People, Places, Things. Edited by John Elderfield. New York: Museum of Modern Art, 1999.

Hallet, Bryce. “Professor had itch, scratched it, and rediscovered the lost art form.” Sydney Morning Herald, November 5, 1999.

Green, Penelope. “Born Flea.”  Who Magazine, December 20, 1999.

LePetit, Paul. “Itching to see teeny talents.” Sunday Telegraph, November 14, 1999.

Lewisham, Bill Carty.“Fleas on trapeze.” Sydney Morning Herald, November 13, 1999.

1998

Generación intermedia. Bogotá: Biblioteca Luis Ángel Arango, 1998. Published in conjunction with the exhibition of the same name, in Bogotá, Colombia.

Guagnini, Nicolás. “Maria Fernanda Cardoso: New Museum.” ArtNexus 29, August – October, 1998.

Charles LaBelle. “Flea ring.” World Art 18, 1998.

Scott, Michael. “Changing Spaces weave a new way to look at fabric in the material world.” The Vancouver Sun, May 2, 1998.

Boisseau, Rosita. “Le cirque de puces Cardoso.” Telerama, July, 1998.

Aguilar, José Hernán. “Revitalizando el futuro.” El Espectador, August 11, 1998.

Gustafson, Paula. “Workshop Enables Artists to Connect With Fabric.” The Georgia Straight, June, 1998.

Milroy, Sarah. “Stretching the fabric of art.” The Globe and Mail, May 23, 1998.

Morgan, Joyce. “It’s Flea Time.” The Sydney Morning Herald, December 24, 1998. “It’s a Dog’s Life: The Flea Circus.” The New York Times, March 15, 1998 http://www.nytimes.com/1998/03/15/magazine/sunday-march-15-1998-you-are-there-it-s-a-dog-s-life-the-flea-circus.html

Phillips, Michele. “Flea ring.” The West magazine, October 31, 1998.

“The Circus Bug.” HQ Magazine, March – April, 1998

1997

Cardoso Flea Circus. Philadelphia: The Fabric Workshop and Museum, U.S.A

Ponce de León, Carolina. Así está la cosa: Instalación y arte objeto en América Latina. Edited by Kurt Hollander. Mexico: Centro Cultural/Arte Contemporáneo, 1997. Published in conjunction with the exhibition of the same name in México D. F., Mexico.

Guerrero, María Teresa and Medina, Álvaro. Arte para Bogotá. Bogotá: Editorial Universidad Nacional, 1997.

Gutiérrez Viñuales, Rodrigo; Gutiérrez, Ramón (eds.). Pintura, escultura y fotografía en Iberoamérica.

Ponce de León, Carolina. “Maria Fernanda Cardoso.” Poliéster, Spring 1997  “Out of Limits at Luis Angel Arango Library.” Art Nexus #24,  April-June, 1997.

Becerra, Mauricio. “Tan picadas.” El Tiempo, May 18, 1997.

Harley, Ross. “Cardoso Flea Circus Video.” Cantrill’s Filmnotes, December, 1997, http://www.stereopresence.net/media/words/cardoso-flea-circus

Jurgen, Hans. “Life under the Little Big Top.” Life Magazine, February, 1997.

“Maria Fernanda Cardoso, Circo de pulgas.” Revista Semana, September 1, 1997.

Turner, Elisa “Dressed up, fabric finds a place in art.” The Miami Herald, June, 1997.

Cantor, Judy. “Men and Women of the Cloth.” New Times, June, 1997.

1996

Lenz, Iris. Cultura Vita Natura Mors. Stuttgart: Institut für Auslandsbeziehungen, 1996.   Published in conjunction with the exhibition of the same name, in Stuttgart, Germany.

Roca, José. Fuera de límite: Liliana González, María Fernanda Cardoso, Juan Fernando Herrán, Miguel Huertas. Bogotá: Biblioteca Luis Ángel Arango, 1996.  Published in conjunction with the exhibition of the same name, at the Biblioteca Luis Ángel Arango, in Bogotá, Colombia. 1996

Zea, Gloria. V Bienal de Bogotá. Bogotá: Museo de Arte Moderno de Bogotá, 1996. Published in conjunction with the exhibition of the same name, at the Museo de Arte Moderno de Bogotá, in Bogotá, Colombia.1996

Sokoloff, Ana.  “María Fernanda Cardoso: In Search of Nature.” ArtNexus 20, May – June, 1996.

Puerto, Cecilia. Latin American women artists, Kahlo and look who else: a selective, annotated bibliography. Wesport: Greenwood Press, 1996.

Mosquera, Gerardo. Beyond the Fantastic: Contemporary art criticism from Latin America. Cambridge: MIT Press, 1996.

Berlin Snell, Marilyn.“Little Big Top.” Utne Reader, May-June, 1996

DeCarlo, Tessa. “Parasites on Parade.” The Wall Street Journal, January 24, 1996.

1995  

Gutiérrez, Natalia. “Other Directions—Otras direcciones.” Poliéster 12, 1995.

Garchik., Leah. “Tiny Dancers.” San Francisco Chronicle, October 7, 1995  http://imgs.sfgate.com/cgi- bin/article.cgi?f=/c/a/1995/10/07DD31860.DTL&hw=tini&sn=374&sc=250

Enright, Robert. “An Urge To Flea.” Harper’s Bazaar, June, 1995.

Irvine, Martha. “They’re itching to see a flea circus.” Associated Press, December 24, 1995.

Cole, K.C. “Mind Over Matter.” Los Angeles Times, 1995.

“¡Qué circo!.” Revista Semana, December 19, 1995.

“Lord of the Fleas.” Online Review,1995, http://www.salon.com/09/features/fleas2.html

Mosquera, Gerardo 8ed.). Beyond the Fantastic Contemporary art criticism from Latin America. With contributions by Néstor García Canclini, Luis Camnitzer, Guillermo Gómez-Peña (et al.). London, Institute of International Visual Arts, 1995

Primer Salón Municipal de artistas invitados latinoamericanos. Coloquio: Ideas y contextos en el arte latinoamericano actual. With texts by Gabriel Peluffo, Gustavo Buntinx, Gerardo Mosquera, Angel Kalenberg, Andrea Giunta (et al.). Montevideo, Museo Municipal de Bellas Artes Juan Manuel Blanes, 1995

1994  

Platt, Ron. Maria Fernanda Cardoso. Cambridge: MIT Press, 1996.

Arte Actual Colombiano. Exhibition catalogue, published in conjunction with the exhibition “ Recent Sculpture” at MIT List Visual Arts Center, Cambridge (MA), 1994. With a text by Ron Platt. Cambridge, MIT List Visual Arts Center, 1994.

Sokoloff, Ana. Punto de Apoyo: New Narrative in Contemporary Colombian Art. New York: Colombian Center, 1994.

Punto de apoyo. New narrative in contemporary Colombian art. Exhibition brochure, Colombian Center, New York, October 4 – December 5, 1994. With a text by Ana Sokoloff. New York, Colombian Center, 1994

Ponce de León, Carolina. “María Fernanda Cardoso: Recuerdos del mar.” Poliéster, 1994.

Quinta Bienal de la Habana: Arte, Sociedad, Reflexion. Havana: Centro Wilfredo Lam, 1994.

Rooney, David. “Artist demonstrates the fleas can please.” Bow Valley THIS WEEK, March 29, 1994.

1993

Mesquita, Ivo. Cartographies. Winnipeg: Winnipeg Art Gallery. Published in conjunction with the exhibition of the same name at the Winnipeg Art Gallery, in Winnipeg, Canada.

Antelo–Suarez, Sandra. Space of Time: Contemporary Art From the Americas. New York: Americas Society, 1993.

Space of Time: Contemporary art from the Americas = Espacio del tiempo: Arte Contemporáneo de las Américas. Exhibition catalogue, Americas Society, New York, 1993. Texts by Sandra Antelo-

Suárez, Thomas McEvilley (ET AL.). New York, Americas Society, 1993

1992

Mosquera, Gerardo; Ponce de León, Carolina; Weiss, Rachel. Ante América. Bogotá: Biblioteca Luis Ángel Arango, 1992. Published in conjunction with the exhibition of the same name, at the Biblioteca Luis Ángel Arango, in Bogotá, Colombia,1992.

Metken, Gunter;  Roels, Reynaldo. Arte Amazonas: Ein künstlerischer Beitrag zur Konferenz der Vereinten Nationen über Umwelt und Entwicklung, Rio–92. Brasilia:Goethe Institut, 1992 Colombia, Contemporary Images. New York: Queens Museum of Art, 1992. Published in conjunction with the exhibition of the same name, at the Queens Museum of Art, in New York, USA.

Porges, Maria. “Maria Fernanda Cardoso at San Francisco Artspace.” Artforum International, December, 1992. Colombia. Contemporary images. Exhibition catalogue, The Queens Museum of Art, New York, June – July 1992. With a text by Eduard Márceles. New York, The Queens Museum of Art, 1992.

1991        

Havana Bienal # 4, El Desafío a la Colonización, Havana: Centro Wifredo Lam, 1991. Published in conjunction with the exhibition of the same name in Havana, Cuba.

1990        

Arte colombiano de los 80’s: Obras tridimensionales.  Bogotá: Centro Colombo Americano, 1990. Published in conjunction with the exhibition of the same name, at the Centro Colombo Americano, in Bogotá, Colombia, 1990.

Nuevos nombres: Seguimiento: German Nadín Ospina, Maria Fernanda Cardoso, Luis Luna, Carlos Salazar, Doris Salcedo, José Antonio Suarez. Bogotá: Banco de la República, 1990. Published in conjunction with the exhibition of the same name, at the Museo del Banco de la República, in Bogotá, Colombia.

1988

Serrano, Eduardo. Primera Bienal de Arte de Bogotá. Bogotá: Museo de Arte Moderno de Bogotá, 1988. Published in conjunction with the exhibition of the same name, at the Museo de Arte Moderno de Bogotá, in Bogotá, Colombia.

1985

Cardoso, María Fernanda, Materia Agua.Bogotá: Uniandes, 1985.  Salón de Arte Joven. Medalla Marta Traba. Exhibition catalogue, Museo de Arte Moderno La Tertulia, Cali, Colombia, 1985. Cali, Museo de Arte Moderno La Tertulia, 1985.